Antoine Bargel

Écriture en lignes

Suite à Comme un arbre, dont l’objet était l’actualité du monde à travers la lecture de multiples quotidiens, le projet du Demi-journal fut d’écrire un jour sur deux, pour que l’autre la muse mûrisse un peu, un poème inspiré du mien, de quotidien, aussi bien celui de ma vie extérieure que de mon univers intérieur (pas plus intime pour autant).

Demi-journal parce que ces poèmes étaient écrits un jour sur deux.

Demi-journal parce que même si c’était inspiré de mon quotidien, toutes les excuses étaient bonnes pour faire de la fiction. Tout y est donc à demi vrai, puisque je l’ai à demi inventé.

Le Demi-journal, tome 1 (247 poèmes du 23 mars 2018 au 16 décembre 2019) est disponible sur Amazon.

Des tomes 2 (225 poèmes du 3 mai 2020 au 2 décembre 2021), 3 (178 poèmes du 13 janvier 2022 au 27 février 2023) et 4 (71 poèmes du 20 décembre 2023 au 4 juillet 2024) existeraient.

Une sélection pour lecteurs pressés, Demi-portion, serait même sur le marché de l'édition de poésie...

Recueil composé des textes suivants (les deux premiers initialement attribués à Régine Balaton) :

JEU-CONCOURS : La couverture reproduite ci-dessus présente une particularité visuelle cachée. Envoyez la solution de l'énigme à antoine@bargel.org pour recevoir un exemplaire gratuit.

Cliquer sur la couverture pour lire au format pdf.

Les fumigènes embrument le stade autrichien avant le début du match de Ligue Europa         entre Salzbourg et Marseille.

La sueur des participants ruisselle ainsi que le venin des journalistes         en attendant les prolongations.

À la fin le vainqueur exulte le perdant est au désespoir         et je bois indifférent ma tisane.

***

Le pressing, c’est fatal quand les attaquants reculent chacun plus apeuré de perdre le ballon au point d’en oublier la beauté d’échouer encore et encore, en essayant d’attaquer la ligne de but.

(Argentine-Croatie, 59è minute)

***

Les prolongations, c’est toujours plus tendu donc brouillon, mais intense et sans être beau on peut dire que c’est excitant

même quand, ainsi que c’est mon cas, l’on se moque du résultat autrement que pour ses qualités dramatiques.

(Russie-Croatie, 97è minute)

***

Joie populaire, ô l’allégresse sans autre objet que les couleurs d’un drapeau : ombre divine, beauté pure sans la fatigue de l’idée, du travail ni de la récompense.

C’est qu’on s’épargne bien des progrès en vénérant les rebonds d’un ballon comme autrefois les entrailles de poulets.

***

Enfin, le football est une chose ; l’amour, une autre.

Dans les deux cas le score n’est fixé qu’au moment où l’arbitre fait retentir le coup de sifflet final.

Mais en amour on ne connaît pas la durée du match.

1

À la fenêtre, il neigeait sur Moscou.

Les flocons tombaient comme des cendres venues de feux lointains, éteints peut-être entre temps.

Les flocons tombaient en trajectoires imprévisibles comme sur les humains la mort.

Les flocons tombaient, recouvraient la route et le parking et mes rêves de te revoir un jour.

2

Violette, la fumée déferlait sur le ciel de Moscou pâle, bleu et doré par le crépuscule à 15 h 30.

           La fumée déferlait, horizontale et lasse, laissant sous son dos plat de violets ronds d’écume surgir, puis tournebouler sur les toits

des hangars, des usines alignés au fond du champ de givre qui me rappelait au moment des adieux ton sourire glacé.

3

L’eau de la Moskova était noire entre les fragments de glace brisée, comme le ciel et les arbres noire et comme une promesse.

Luisaient la glace et en face les tours du ministère de la Défense et autour de moi la neige entre les arbres et sur le quai.

Je t’ai désirée ce jour-là, barbare comme un souvenir,                                     et puis j’ai vu flotter les pattes prisonnières d’un carreau gelé qui descendait le fleuve, un canard digne.

portrait of the author as a sleepy man

Envie de m’allonger sur le banc de ce bar comme sur le quai du port avec les clochards :

un renoncement à la décence de rester vertical en public quand je suis bancal en privé.

***

Ça, c’est l’état neutre des rapports humains : l’indifférence mêlée de respect qu’on a pour autrui quand autrui boit — respect du droit de chacun à son espace de boisson.

Mais en fait non : le serveur gagne son pain, sa politesse est artificielle, conditionnée du moins ; l’ensemble de l’espace est régi par la loi du patron qui l’impose pour son bénéfice (pas de bagarres, ne pas déranger les autres pour qu’ils consomment tranquille) et repose sur la loi du pays au besoin.

Espace où les individus ne s’agressent pas non par respect les uns des autres mais de la loi qui nous permet de boire.

L’état neutre des rapports humains c’est l’agression.

***

Quand on rencontre quelqu’un qu’on connaît, qu’on va laisser approcher de soi plus qu’on ne laisse les inconnus — à portée d’attaque :

alors, même si on le connaît bien mais juste au cas où, pour rappel, on lui montre les dents.

***

Le rapport aux autres est fondé sur la peur que l’autre attaque.

On a tous la capacité d’attaquer.

Le crime, c’est de la prendre à son compte pour profit ou plaisir.

Ce dont on a tous le désir.

Et donc, puisque autrui alors désire ainsi nous attaquer, devoir de nous défendre.

***

Le plus simple : se montrer loquace et à l’aise pour s’inscrire dans l’ordre social, qui protège la plupart du temps.

Seul, on compte sur ses propres ressources : ce sera trop d’effort de m’attaquer moi, suggestion indirecte d’en attaquer plutôt d'autres.

En restant ainsi seul et silencieux, plutôt que de jouer l’ordre social, je représente un danger pour les autres qui le savent et bien me le rendent.

***

Je ne peux donc pas m’allonger sur ce banc.

(Prague, 10/1/12)

Ma vie parfaite (2020)

Brad, mon mari, vient me voir tous les jours depuis que je suis dans cet hôpital, mais je ne lui ouvre pas ma porte. Je ne veux voir personne. Je ne veux plus rien voir. J’aimerais ne plus être là et ce n’est qu’une question de temps avant que j’y parvienne.

Au Texas, dans un hôpital psychiatrique, Donna ressasse le drame qui a frappé sa famille. Tout commence quelques mois plus tôt, lorsqu’un coup de téléphone matinal bouleverse son mari, Brad, qui lui révèle alors un macabre secret enfoui dans son passé. C'est toute leur existence qui menace de s’effondrer et Donna va lutter pour l’avenir de sa fille, quel que soit le prix à payer. À mesure que progresse son récit des faits, elle entend démontrer à sa psychiatre qu’elle va mieux, et qu’il faudrait la laisser sortir et retrouver sa vie parfaite.

Disponible sur Amazon.

Romans

Nulle part où poser sa tête, JJ Bola, Mercure de France, 2022. Le chant de la pluie, Sue Hubbard, Mercure de France, 2020. Fugue mexicaine, Chloé Aridjis, Mercure de France, 2019. Les étonnantes aventures d’Aaron Broom, A. E. Hotchner, Mercure de France, 2019. Pauvres Millionnaires, Diksha Basu, Mercure de France, 2018. Trahir, Helen Dunmore, Mercure de France, 2017. La Forêt d’Oultre-Monde, William Morris, KDP, 2016. Du même sang, Tony Birch, Mercure de France, 2016. Une Antigone à Kandahar, Joydeep Roy-Bhattacharya, Gallimard, 2015. Le frère de sa meilleure amie, T.J. Dell, Montlake Romance, 2015. Déjà trop tard, John Rector, Thomas & Mercer, 2015. Un soupçon de mensonge, Gary Ponzo, Thomas & Mercer, 2015. Hackeur et contre tous, Dave Buschi, Thomas & Mercer, 2015. Les Étoiles fixes, Brian Conn, Aux forges de Vulcain, 2013. Pour les femmes, Thomas Rain Crowe, Aux forges de Vulcain, 2011.

Sous le pseudonyme de Louis Poirier

La Victoire d'Emily, Rhys Bowen, Amazon Crossing, 2022. Noyer sa peine, Melinda Leigh, Amazon Crossing, 2022. Les Carnets de Venise, Rhys Bowen, Amazon Crossing, 2022. Vengeance glacée, Melinda Leigh, Amazon Crossing, 2021. L'Enfant toscan, Rhys Bowen, Amazon Crossing, 2021. Mortel déjà-vu, Melinda Leigh, Amazon Crossing, 2021. Un bon jour pour mourir, Mark Edwards, Thomas & Mercer, 2020. Le droit et la morale, Marcia Clark, Thomas & Mercer, 2019. Le droit du sang, Marcia Clark, Thomas & Mercer, 2018, Les Bienheureuses, Louise Voss & Mark Edwards, Thomas & Mercer, 2018. Marquée à vie, Emelie Schepp, Mosaic, 2017. Sur tes pas, Mark Edwards, Thomas & Mercer, 2016. Les Écorchées, Robert Ellis, Thomas & Mercer, 2016.

Essai

Étouffer la révolte — La psychiatrie contre les Civil Rights, une histoire du contrôle social, Jonathan Metzl, co-traduction avec Alexandre Pateau, Autrement, 2020.

Théâtre

Macbeth, William Shakespeare, compagnie le Tiers-Théâtre, 2002.

First published in The Erozine, 2024, reprinted in Pink Disco, 5, 2024. Exists in French as “La Cerise”

After dinner, as dusk deepened under the cherry tree—it was the end of summer and while they already fell earlier, nights were still warm—we talked about our love lives and sexuality. As the conversation progressed and we derived, from small personal revelations, a growing sense of intimacy, I noticed that she seemed, now, quite attracted to me; probably eager, as was I, to feel sexually alive again after divorce, or just plain horny. For ever longer moments, she would maintain eye contact and smile, joyfully, unashamedly inviting, confirming what I had secretly hoped: that she, like I, had pursued this private high-school reunion, twenty years after last seeing each other, with erotic if not intentions, at least imaginations.

I remembered how, as a teenager, simply meeting her gaze like this used to give me severe bouts of feverish, irrepressible vertigo. Even in the constrained environment of a classroom, I felt myself plunging toward her, swallowed by the space that separated, but really joined us, melting my youthful heart as I fell uncontrollably, vanquished beyond volition by the inscrutable clarity of her eyes, until she distractedly looked elsewhere, at the teacher for instance, at her half-chewed pencil, and, holding myself back at the edge of my chair, I learned about loneliness. Oh, how I had loved her! and suffered from lacking the strength or wits to interact with her while in (or even after, such was the impact of) that state of upheaval! The intervening years at least had made me, I now observed, a more stable person, able to sustain the sight of these particular twin suns.

Yet they had also allowed me to identify my limitations as a sexual participant. Not wanting to repeat the sorry encounters of my past, I decided to show some maturity and lay my cards on the table.

“You know, outside of the two people that I had those long-term relationships with since high school—when I was a virgin, as I'm sure you knew then or have figured out by now,” this eliciting a small smile from her, “I was never able to have a sexual relationship just for the fun of it. In love, I'm intense and liberated; but outside of that, when I flirted with people and we ended up naked, I was always too uncomfortable to go beyond basic preliminaries. I would either not be able to perform, or make a stupid move or comment that radically broke the mood: one way or another, it's never really worked out well for me and I'm convinced by now that it is a part of who I am. Love is godly, love is pure, and I can do that. Simple human sexuality, though, seems out of my reach. So at this point, I would rather spare myself and others the embarrassment—regardless of how much desire I may feel while the encounter is only an imagined, anticipated possibility.

“But there is one way that I've been able, a couple of times, to feel sexually liberated without deep love being previously declared, and that was when some form of kinky ritual was observed.”

This time, she smiled widely.

“Yeah? Like what?” she interjected.

“Well, it's sort of cheapening to tell precise stories of these kinds of things, but for instance —” I looked at her and marked a brief pause for maximal effect, “for instance, have you ever been tied up?”

“No!” she exclaimed with a single gurgle of laughter. Then she stopped and thought about it. “No, but what does it do?”

“Well, what I have in mind is for one of the partners to be tied up to the feet of the bed, with knotted scarves for example, by one's wrists and ankles. Lying on one's back, able to wriggle but unable to move away or set oneself free, entirely at the mercy of the other partner who can caress and kiss and stroke at his or her complete discretion… What it does is mostly to the one who is tied up: you feel vulnerable. Although you trust the other, you have given up control of your body and, technically, your life. The other could do anything to you, and that triggers something instinctive, primal, disturbingly intense, in the form of extreme arousal…”

“When you describe it like that…” she said and left her sentence unfinished.

I drank a sip of wine, waiting, looking at her. She reached for her own glass and, without batting a lash, brought her lips to its rim.

“Would you like to try it?” I said—which made me feel psychologically naked and vulnerable already and, as such, excited, while also proud of my new strategy: talking to women, telling the truth about myself. Never would I have guessed, as a teenage boy, that it was so simple! And yet impossible until one knows enough about oneself.

She swallowed her wine and smiled again. She had beautiful teeth which gleamed in the darkness.

“I might…” she said, pointing a cherry stem in my direction. “But you get tied up first.”

***

While she was in the bathroom, I undressed and prepared a selection of scarves and silk ties for her to choose from. She came back, still dressed in her jean skirt and wide purple t-shirt, underneath which a black lace bra had imprinted a teasing tracery all evening long, and I lay on the bed. She took off her black leather sandals.

“You know how to make a good, solid knot?” I inquired with a hint of male arrogance.

“Yep. This girly's sailed before.” she said and knelt on the bed, picking a scarf and getting to work on my left wrist.

After I was all tied up, she stood and unhurriedly removed her skirt, t-shirt and, excruciatingly, bra. She had large, white breasts with dark pink, grainy areolas and pointy nipples. I was salivating abundantly. She walked to the foot of the bed and faced me, over my parted limbs; looking me all the while in the eyes, she removed the black, triangular underwear that had heretofore concealed her sex. She wore a slim, dark bush that matched her black hair, which she presently untied and loosened upon her shoulders.

Then, casually, she touched my big toes, first one, then the other, and slowly moved to my shins with the tip of her fingers, while progressively bending over the bed, bringing her knees on the mattress in between my strapped ankles, and her torso hovering above me until her nipples began to tease my upper thighs, while her long, dark hair brushed my stomach and chest. I was madly erect already.

Her face came close to mine, so close that I felt faint, plunging into her dark brown eyes, darting quick looks at the beauty mark above the left corner of her mouth, the intricate design of her ears, the softest line around the edge of her cheekbones, and returning ever to be consumed by the two black suns with their matching halos of lashes.

“This is fun.” she whispered.

“Yeah…” I answered in a raspy voice.

She saw how excited I was and smiled, then broke off and sat on the bed next to me.

“So… What are we going to do with you…” she said musingly. Then a thought occurred to her: she jumped up and exclaimed: “Wait, just a second!”

She left the room and I heard her move around the house, opening and closing cupboards and drawers as she went. When she returned, she kept one hand behind her back and set something down by the bed, out of my sight.

“Shut your eyes,” she said.

I heard a silky ruffle, then felt her tie a piece of fabric around my head.

“Now, don't cheat.”

I could not see anything. I could not move. She went back to the foot of the bed and a long silence ensued, in which I heard only the sound of my heavy breathing, and felt the warm tug of my erection, the rest of my cold skin exposed to the unknown.

Then there was, by my belly button, a light stroke, unnerving and slightly ticklish, like the tip of a feather. It made a few curves on my stomach, then ascended to my chest, surfed on the hair of my sternum and swirled sideways to my nipples, which hurt sharply when touched, stimulating all the more the erectile blood flow that pumped through my swollen perineum. Then the stroke traversed my armpits, slowly probing the hairy, sweaty hallows, and rising along my biceps, sending wave after wave of nervous shivers down my spine.

I was in a trance, twitching, moaning, pulsating with every muscle, every inch of sensitive skin. I felt her weight shaking the mattress, then, suddenly, at the center of my aroused body, infinite warmth enveloping my member, progressively engulfing it until it was all gone and, at the same time, her buttocks came to rest on my thighs.

I believe that I moaned uncontrollably, but she gave me no respite and began riding me, starting imperceptibly slow and progressively accelerating, while I felt a now familiar stroke on my neck and cheek, on my forehead and down my nose, on my lips, back down to my throat and into the small notch between my clavicles, then down my chest again, while she kept quickening the movement of her hips, the friction of her pubic bone on mine, the mutual appropriation of our incandescent sexes into one eternal and volcanic SEX.

There was a loud, guttural cry, then suddenly she ripped off the scarf that had been covering my eyes. She was a Gorgon leaning above me, her hair flowing darker than the night from all around her head, falling down enveloping my face, enclosing us in a tunnel of musky, undulating animality of which she was the mistress. Her dark eyes were bolted deep into mine, as deep as my sex inside her body. She smiled with all her shining white teeth and lifted her shoulders, still pounding me at the hips, until she sat on me vertically and I glimpsed, in the hand of hers located where that ticklish, caressing stroke had lately been, on the left side of my ribcage, a knife.

A long, silvery kitchen knife.

While my mind remained incredulous, my body went burning all over with adrenaline. I tried to say something but before I could utter a sound, she raised her arm beside her head, and stabbed with all her might toward my face.

I came, and came, and came, while the pillow next to my cheek exploded in a twirling cloud of white feathers.

I came some more.

The rest of my body was petrified, tensed and arched back in the posture of the dead man that I almost became, that I briefly thought to be. I exhaled the last of my breath, then felt a burning shiver traverse me whole, as life started flowing through me again.

Slowly, I managed to look at her, who had let go of the knife and brought her hands behind her head, stretching forward her magnificent breast, while making small, swiveling movements with her sex, inside which mine showed no sign of receding.

“You're crazy…” I muttered.

She answered only with a broad smile, then rose and brought to mine her lower lips, enticing me to drink, at that flower-like cup, the warm confession of my simple humanity. Rendered obedient anew by this sweet attention, I lapped eagerly, eliciting a long moan, and thought I had reached the pinnacle of pleasure when there slid, mixed with the cream that my tongue was pursuing deep inside, into my mouth a cherry.